“A sequel to The Social Network” —The New York Times “Deeply reported and beautifully written” —Nick Bilton, Vanity Fair reporter Award-winning reporter Sarah Frier reveals the never-before-told story of how Instagram became the most culturally defining app of the decade. In 2010, Kevin Systrom and Mike Krieger released a photo-sharing app called Instagram, with one simple but ...(展开全部)

Through thick veils of opaque, incantatory prose, fragments of the narrator's life emerge in this cryptic novel, winner of the Prix Medicis in 1969, by a French feminist and critic. The title tells it all: from beginning to end we are locked inside the mind and memory, dream-life and fantasy of the narrator as she mourns the untimely death of her venerated father. So submerged ...(展开全部)

Seven years after the day of the bombs, Point Reyes was luckier than most places. Its people were reasonably normal -- except for the girl with her twin brother growing inside her, and talking to her. Their barter economy was working. Their resident genius could fix almost anything that broke down. But they didn't know they were harbouring the one man who almost everyone le...(展开全部)

時尚／LV；運動／Nike；電腦／IBM……，眼下我們生存的時代，品牌形象代表一切，連小學生也懂得要用名牌。要表現自己的專業、品味、社經地位，就要消費特定的產品，不管你是否真喜歡其品質。獲得消費者的品牌認同，就等於獲利的保證，於是新創的品牌虎視眈眈，欲取市場第一品牌之位而代之。至於沒有顯赫招牌的產品，往往價美物廉還是乏人問津。 知名品牌挾著雄厚的資本、強勢的行銷能力、全球運籌（global logistics）的經營觀念，令其產品席捲全世界。一種產品行銷全球，創造了後現代的國際風格，統一了世人的消費觀，卻斲傷了異文化的豐富性。全球性的公司聲稱要支持文化的多樣性，其實他們所謂的「多元文化主義」只是生產更多的產品，讓消費者有較多的購買選擇。 而在知名品牌風光行銷全球的背後，是許多不為人注意的勞工。他們其中的大多數人無法分享公司的鉅額利...(展开全部)

Thich Nhat Hanh says: 'Our biggest fear is that we will become nothing when we die. If we think that we cease to exist when we die, we have not looked very deeply at ourselves.' With his usual blend of stories, exquisite analogies and guided meditations, Thich Nhat Hanh takes the reader through the same examination of death, fear and the nature of existence that Buddhist monks ...(展开全部)

When David Shannon was only five years old, he wrote and illustrated a story in which an unruly little boy breaks all of his mother's rules -- he jumps on the beds; he chews with his mouth open; he plays ball in the house. Any child who is tired of hearing his parents say "No " will readily identify with this boldly illustrated, comical story.

史蒂芬·里瓦洛伊斯（Stéphane Levallois）法国艺术家。生于1970年，生活在巴黎。1988年，他进入佩尼昂高等艺术学院学习，曾师从著名设计大师诺曼·塞斯莱维兹（Roman Cieslewicz）。毕业后，史蒂芬·里瓦洛伊斯从事平面设计、标志设计和电影与摄影的海报的制作。他还在游戏公司Cryo担任艺术指导。史蒂芬·里瓦洛伊斯也是一名出色的电影故事板画手。他与很多导演合作过，诸如马克·卡罗（Marc Caro，）、简·库恩（Jan Kounen）、路易斯·莱特里尔（Louis Leterrier）、彼得·韦伯（Peter Weber）、王家卫等。此外，他还为法国著名设计师菲利普·斯塔克（Philippe Stark）、法国Dior首席设计师约翰·加里亚诺（John Galiano）、法国时尚摄影大师让·巴布提斯·蒙第诺（Jean Bapt...(展开全部)

Keep Your Head Down. Don't Get Noticed. Or Else. I'm Trella. I'm a scrub. A nobody. One of thousands who work the lower levels, keeping Inside clean for the Uppers. I've got one friend, do my job and try to avoid the Pop Cops. So what if I occasionally use the pipes to sneak around the Upper levels? The only neck at risk is my own…until I accidentally start a rebellion and beco...(展开全部)

玛丽亚•斯奈德（1969- ）美国科幻/奇幻作家、《纽约时报》畅销书作家，著有“立方体世界”系列、“研究”系列、“灵魂探测者”系列、“治疗者”系列等多部作品。 玛丽亚原为气象学家，在厌倦了这份工作后开始写作。她的处女作《毒药研究》于2005年10月出版，入选当年《轨迹》杂志推荐阅读书单，并赢得了2006年的康普特•克洛科奖最佳处女作奖。 除写作之外，玛丽亚的兴趣还包括旅行、摄影、制作首饰和打排球。她目前与家人和一只名叫瓦莱克的黑猫一同住在美国宾夕法尼亚州。